Posts tagged cultural

The University of Pennsylvania Music Building / Ann Beha Architects | ArchDoc

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© David Lamb PhotographyAnn Beha Architects designed the award-winning Music Building at the University of Pennsylvania. The project consolidates distributed academic resources; revitalizes a prominent 19th century landmark; provides new community spaces for faculty and students, and serves as a model for the compatibility of historic and contemporary design expression. As the campus’ first LEED Gold building, this project demonstrates that preservation, new design, and program can together produce a sustainable result.Architect: Ann Beha Architects Location: Philadelphia, Pennsylvania, USA Project Area: 11,200 sqf New Construction, 13,800 sf Renovation Project Year: 2010 Photographs: David Lamb Photography© David Lamb PhotographyThe Music Building is located in the heart of the University of Pennsylvania’s historic campus core, and is listed on the Philadelphia Register of Historic Places. Architects, Cope & Stewardson designed the building and the neighboring Morgan Building in 1892 as a dormitory and school for a girl’s orphanage. Later converted into University physics labs, the building was extended with a series of small additions, congesting the site on busy campus paths.planThe Music Department was overcrowded and underserved. Its programs were acoustically compromised and hidden from view. The University wanted to consolidate the network of music classrooms and provide new practice rooms, instructional spaces, faculty offices for tutorials and composition, and spaces to encourage faculty, students, and performers to collaborate. The Department needed extensive upgrades to their existing building and new facilities to support teaching, research, and student life. On a campus with many engineering and science majors, the Department wanted all students to feel welcome in music programs, ensembles, and classes.This project began with a thorough investigation of the landmark building, its history, original design, and context. The restoration included rebuilding original windows; cleaning and repairing decorative brick, terra cotta and bluestone masonry; and restoring ornamental wood roof brackets and overhangs. The interior was renovated and upgraded structurally, mechanically, and acoustically to accommodate administrative and faculty offices. The original façade design was studied intently to create a design approach for the addition. Because the University and Design Team wanted a building where music was not only heard, but also seen, the addition is deliberately more transparent and welcoming, with views into the building from three pedestrian passages and multiple entries leading to one central gathering space. The addition is sympathetic to the existing building in its massing, materiality, and rhythm. It introduces a similarly colored terra cotta as a larger scaled rain screen system, generous expanses of glass with sun shades, and a metal cornice aligning with the broad roof overhang of the original structure; but its lightness and transparency contrast the solidity of the original building and openly display music activities to the University community. On each interior level, open circulation incorporates the restored east façade, and commons and lounges offer social spaces with views to the campus.© David Lamb PhotographyAcoustic performance was paramount to the building occupants. The Department’s most acoustically and technologically demanding functions— classrooms, practice rooms, recording studios, a computer teaching lab, and composition offices— are located in the addition, which offers high levels of isolation and in-room acoustics. The acoustics and audio/visual systems in the large classroom are designed to accommodate multiple functions, including instruction, performance, recording, and events. The former basement practice rooms were relocated to spaces with ample daylight, and common spaces for faculty and students on each floor acknowledge that collaboration and interaction among colleagues is a critical component to creative success.© David Lamb PhotographyExtensive acoustic and technological renovations in the existing building meet the practical demands of instruction and research while preserving its historic character— such as vibration isolation in wall, floor, and ceiling construction, and new interior glazing that resolves exterior noise infiltration while preserving the appearance of the original wood windows. By renewing the existing building and improving its acoustic performance, and by providing new teaching, composing, and rehearsal spaces in new construction, this project provides the Department with a complete and integrated setting for events and faculty, students and staff use.In keeping with the University’s adopted Climate Action Plan, this project integrates multiple sustainable elements and is LEED Gold. The project exceeds energy standards with its use of efficient lighting and controls, mechanical, and plumbing systems. Other sustainable features include reduced site water use with planting material selection and “smart” controls that adjust irrigation based on rainfall levels; recycling or salvaging 95% of construction waste; use of recycled, reclaimed, and regionally produced materials; and sustainable housekeeping methods and cleaning products.© David Lamb PhotographyProject Team: Ann M. Beha FAIA, Principal-in-Charge; Thomas M. Hotaling AIA, LEED AP, Collaborating Principal; Philip Chen AIA, LEED AP, Project Manager / Architect; Neil Stroup AIA, LEED AP; Adam Ruedig, Brandon Prinzing General Contractor: Daniel J. Keating Company MEP Engineer, Fire Protection: AHA Consulting Engineers Structural Engineer: Keast & Hood Co. Landscape Architect: Stephen Stimson Associates Civil Engineer: Hunt Engineering Company Acoustician & Audio/Visual Consultant: Kirkegaard Associates Materials Conservationist: Building Conservation Associates Lighting Designer: Ripman Lighting Consultants Specifications Writer: Kalin Associates Inc. Graphics Consultant: Wojciechowski Design Elevator Consultant: VDA (Van Deusen & Associates) Hardware Consultant: Ingersoll Rand Security Technologies Cost Estimator: The McGee Company#gallery-1 {margin: auto;}#gallery-1 .gallery-item {float: left;margin-top: 10px;text-align: center;width: 33%;}#gallery-1 img {border: 2px solid #cfcfcf;}#gallery-1 .gallery-caption {margin-left: 0;}

The University of Pennsylvania Music Building / Ann Beha Architects © David Lamb Photography
© David Lamb Photography
The University of Pennsylvania Music Building / Ann Beha Architects © David Lamb Photography
© David Lamb Photography
The University of Pennsylvania Music Building / Ann Beha Architects © David Lamb Photography
© David Lamb Photography
The University of Pennsylvania Music Building / Ann Beha Architects © David Lamb Photography
© David Lamb Photography
The University of Pennsylvania Music Building / Ann Beha Architects © David Lamb Photography
© David Lamb Photography
plan plan
plan

* Location to be used only as a reference. It could indicate city/country but not exact address.

Favrholm Conference Center / SeARCH | ArchDoc

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© Iwan BaanArchitects: SeARCH bv Location: Copenhagen, Denmark Client: Novo Nordisk Design Team: Bjarne Mastenbroek, Kathrin Hanf met Remco Wieringa en Paul Stavert, Geurt Holdijk, Laura Alvarez, Elke Demyttenaere, David Gianotten Project Year: 2011 Photographs: Iwan Baan The conference centre is an extension of ‘Favrholm’, a monumental Danish farm that originates from the 14th century. The complex contains an auditorium, offices, restaurants, meeting rooms, sports- and fitness facilities and guest rooms for the biggest insulin producer worldwide, Novo Nordisk a/s. The purpose of the project was to design a new type of conference centre, more dynamic and interactive for both employees of the close by situated R&D and production facility and employees, guests and speakers worldwide.Floor PlanThe restored 14th-century farm house, in which the main entrance is situated, played a crucial role in the history of the company: here for the first time in history insulin was extracted from the pancreas of cows. By realizing the extension partly underground, the view to the monumental farm was not harmed. For an optimal integration SeARCH worked closely together with the Danish Monument Service (KUAS) and bird protection organizations.© Iwan BaanNovo Nordisk had a series of conference rooms in mind varying from style; from classic, to (post)modern, anthropological and minimalistic. SeARCH proposed a more modest scheme based on ‘the sketching of cows’ (the way cows were registered and identified in the past).© Iwan BaanEach meeting room has a floor plan in the shape of a cow’s ear or leaf, all of them slightly different in shape, size and material, but still clearly related. These are situated into the embankments, viewing the vast landscape and the foraging birds in the lake. The newly built auditorium however restores the original, rectangular design of the courtyard of the farm house and is inspired by the barns that once stood there.© Iwan Baan#gallery-1 {margin: auto;}#gallery-1 .gallery-item {float: left;margin-top: 10px;text-align: center;width: 33%;}#gallery-1 img {border: 2px solid #cfcfcf;}#gallery-1 .gallery-caption {margin-left: 0;}

Favrholm Conference Center / SeARCH bv © Iwan Baan
© Iwan Baan
Favrholm Conference Center / SeARCH bv © Iwan Baan
© Iwan Baan
Favrholm Conference Center / SeARCH bv © Iwan Baan
© Iwan Baan
Favrholm Conference Center / SeARCH bv © Iwan Baan
© Iwan Baan
Favrholm Conference Center / SeARCH bv © Iwan Baan
© Iwan Baan
Favrholm Conference Center / SeARCH bv © Iwan Baan
© Iwan Baan
Favrholm Conference Center / SeARCH bv © Iwan Baan
© Iwan Baan
Favrholm Conference Center / SeARCH bv © Iwan Baan
© Iwan Baan
Favrholm Conference Center / SeARCH bv © Iwan Baan
© Iwan Baan
Favrholm Conference Center / SeARCH bv © Iwan Baan
© Iwan Baan
Cross Section Cross Section
Cross Section
Floor Plan Floor Plan
Floor Plan
Floor Plan Floor Plan
Floor Plan
Floor Plan Floor Plan
Floor Plan
Ground Floor Plan Ground Floor Plan
Ground Floor Plan
Long Section Long Section
Long Section
North Elevation North Elevation
North Elevation
Roof Roof
Roof

* Location to be used only as a reference. It could indicate city/country but not exact address.

2011 Buckminster Fuller Challenge | ArchDoc

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Buckminster Fuller, a design and green pioneer, believed we could make the world work for all humanity while maintaining good stewardship of it.  His eponymous Institute each year recognizes people who are fulfilling that mission. The 2011 Buckminster Fuller Challenge asks designers to provide workable solutions to the world’s most significant challenges and rewards integrated, whole-systems approaches to solving the world’s sustainability crises.  This year’s finalists and winner celebration events will be held in New York City June 8-10, where the winners will be revealed.  The four finalists include solutions for problems spanning ocean restoration in Madagascar, protecting indigenous knowledge in the Congo Basin, combating women’s illiteracy in India, and technologically connecting the remote developing world to the communication grid.More information on these projects and the scheduled events after the break.2011 Buckminster Fuller Challenge Finalist PresentationsWhen: Wednesday June 8th, 6-8pm Where: Elebash Recital Hall, CUNY Graduate Center, 365 Fifth Avenue, New York, NY 10016 map Keynote Speaker: Amsterdam-based Doors of Perception founder and internationally renowned design pioneer, John ThackaraThe finalists are:© Buckminster Fuller InstituteBlue Ventures – Ocean Restoration in MadagascarAn integrated approach to empowering one of the world’s poorest coastal communities in Madagascar, resulting in a proven biological and economic case for conservation management as a tool for restocking depleted fisheries and safeguarding ecosystem resilience.© Buckminster Fuller InstituteFrontlineSMS – Connecting the Remote Developing World to the Communication GridProvides organizations in remote, rural regions of the developing world with software that turns a laptop into a mass messaging hub, without any need for Internet connectivity.© Buckminster Fuller InstituteParticipatory Mapping as a Means of Protecting Forests in the Congo BasinEmpowering indigenous forest communities in the Congo Basin to produce accurate, geo-referenced community maps of their territories so that they can navigate local laws and relationships with companies and governments in order to protect their land and resources.© Buckminster Fuller InstituteTARA Akshar+ – Combating Women’s Illiteracy in IndiaEmpowers illiterate women in India by teaching them to read, write, and count in just 98 hours over 49 days, providing them with crucial skills to be self sufficient and improve the quality of life within their communities. Urban Solution Sets – Visionary Strategies for the Future of CitiesWhen:   Thursday June 9th, 2-4pm Where: Center for Architecture, AIA, 536 LaGuardia Place New York, NY 10012 mapThis event will be bringing together urban educators, planners and developers to explore the notion of urban solution sets as a framework to consider advancement around practices that impact the generation/regeneration of our cities, as a result of reviewing entries through the unique lens of the Buckminster Fuller Challenge criteria.Announcement and Presentation of $100,000 to the Winner of the 2011 Buckminster Fuller ChallengeWhen: Friday June 10th, 6-8pm Where: Proshansky Auditorium, CUNY Graduate Center, 365 Fifth Avenue, New York, NY 10016 map Keynote Speaker: David Orr, distinguished professor and author and one of the world’s thought leaders in environmental design.#gallery-1 {margin: auto;}#gallery-1 .gallery-item {float: left;margin-top: 10px;text-align: center;width: 33%;}#gallery-1 img {border: 2px solid #cfcfcf;}#gallery-1 .gallery-caption {margin-left: 0;}

2011 Buckminster Fuller Challenge © Buckminster Fuller Institute
© Buckminster Fuller Institute
2011 Buckminster Fuller Challenge / Blue Ventures © Buckminster Fuller Institute
© Buckminster Fuller Institute
2011 Buckminster Fuller Challenge / FrontlineSMS © Buckminster Fuller Institute
© Buckminster Fuller Institute
2011 Buckminster Fuller Challenge / Participatory Mapping © Buckminster Fuller Institute
© Buckminster Fuller Institute
2011 Buckminster Fuller Challenge / TARA Akshar+ © Buckminster Fuller Institute
© Buckminster Fuller Institute
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