Posts tagged public facilities
International Graphic Design Center / Olgga Architects | ArchDoc
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Courtesy Olgga ArchitectsThe French design team, Olgga Architects, recently placed second in the competition to design the International Graphic Design Center in Chaumont, France. Images of their proposal in addition to a press release narrative from the architects can be viewed after the jump.
Courtesy Olgga ArchitectsThe International Graphic Design Center is part of the framework for urban revitalization set in motion around the Chaumont multimodal station. How does one integrate local amenities while fulfilling National and European objectives? What exactly is a cultural institution dedicated to Graphic Arts ?The scope of the proposal focuses primarily on the renovation of the Banque de France (BdF) and an architectural extension into the Emile Goguenheim Square . Originally constructed in 1871, the edifice is easily identifiable with civic structures from that period, representing political authority and financial autonomy. The building must be a sign, unmistakable in scale, function and in the image it promotes. We opted not to « hold on » to the facades by orchestrating a (contemporary) break from the historic facades. The existing rehashes architectural characteristics of 19th century mansions: symmetry, compositional alignment, and detailed mason work on the facade.
Courtesy Olgga ArchitectsThe protruding component of the addition opens out onto the urban environment and the future « place des Arts ». This monolithic volume is presented uniformly, in polished concrete with no visible joints. Hand-polished facades reveal the expressive qualities of the materials, accentuating the contrast and the play between the building and the Banque de France. The deliberate notches in the monolith create viewing opportunities of the Banque de France and adjacent buildings. Along the continuation of the Place des Arts, passers-by are invited to slip into the interspace formed by the existing building and the new monolith.The signage of the International Center for Graphic Arts connected to the existing building is achieved by a reconfiguration of the ground plane. This anamorphic procedure creates a mutable image, constantly deconstructed, and then from a pre-defined viewpoint, fully recomposed: the public space between the multiplex and the entrance plaza.The space is bathed in light. Interior/exterior boundaries are intentionally blurred. Entering the museum is effortless—this step should not be a threshold of intimidation. The sky is visible through the opalescent glazing. Forms reveal themselves and enliven the space.Whether for technical signage or for educational exhibits tracing about graphic art history, our theoretical point of departure is the same element for composing space: the pixel. The imbedded overlay of the pixel on a grid becomes a matrix for all graphic presentations and signage in the Center. Scattered voxels interrupt the space; these three dimensional pixels become the furniture, essential for experiencing the place.
Courtesy Olgga ArchitectsOur architectural proposal is not graphic art in and of itself; rather it is the armature for the exposition of graphic art. Our scenographic bias consists of creating modular and interchangeable elements and spaces, in terms of museumography and decor.We propose an introductory tour of the practice of graphic arts. This tour begins as soon as the sloped foyer penetrates gracefully into the foundation of the Banque de France . This lower level access takes advantage of creating double height interiors without modifying the purity of the exterior architectural order.This exposition aims to be as didactic as possible so that everyone may discover the graphic profession with ease. The following model is reserved for temporary exhibits. Graphic news is presented from within this contemporary, refined volume of simplified geometry. The history of the profession situates itself, as it should, within the historic building. The proposed urban form increases visual openings and emphasizes the intersecting public spaces.Architect: OLGGA Location: Chaumont, France Team: Bruce Mau design / archimen / scene / atelier ON / alhyange Client: City of Chaumont Area: 3,604 sqm Schedule: March 2011 Mission: Competition, ranked 2nd Sustainability: RT 2012 Image credit: RSI-studio#gallery-1 {margin: auto;}#gallery-1 .gallery-item {float: left;margin-top: 10px;text-align: center;width: 33%;}#gallery-1 img {border: 2px solid #cfcfcf;}#gallery-1 .gallery-caption {margin-left: 0;}
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Recreational Center / Olgga Architects | ArchDoc
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artefactorylab, Olivier CampagneWe are featuring yet another competition entry from Olgga Architects this week, this time their second place proposal for a Recreational Center in Paris’ 20th arrondissement. Further images and a description from the architects after the break.
artefactorylab, Olivier CampagneThe parcel designated for the project is situated at the corner of rue de Buzenval and rue des Haies in Paris’ 20th arrondissement. The lot currently houses an old electrical distribution center, built by EDF in 1908 of stone blocks over metal framework. The building’s current condition as well as its interest in terms of architectural patrimony convinced us to preserve the structural envelope. The symbiotic relationship between the existing industrial volume and the contemporary construction will allow for easy recognition of the building’s DNA as well uphold this distinct urban corner.This contemporary extension should simultaneously stand out as new architecture, serve as counter-balance to the existing building, and subtly blend into the urban environs.The programmatic density covers the buildings elevation on all three levels. As for this emerging evidence of program and activity, we wanted it to appear pure, simple and readable. This apparent simplicity upholds a high capacity for function and flexibility. The idea here is to propose a structure in the style of an artists’ studio, with expansive volumes easily adapted to future uses. The manifestation is (di)visible in programmatic strata. Thus, the volumes of each floor penetrate and nest in the next, resulting in a Russian Doll configuration. The considerable height of the existing building allows this ensemble to hover in the middle.
ElevationsAt each level the volumes detach themselves further and the glazing becomes more tinted. This articulates our desire to perceive activities in discreet ways. Visitors, through their diverse activities, activate the Center’s facades.The upper level facades are in general clad in glazed panels, with viewing angles offering multiple levels of perception. In order to respect customer’s privacy, public programs are fully visible at the street level and occluded behind increasingly opaque glazing as the elevation rises. This triple glazing is insulating, composed of an interstitial vacuum flanked by metallic copper netting.The load bearing structure consists of a stacked trellis system. Three trellises, corresponding to the three levels, rest on a traditional structure disguised within the thickness of the existing building.
Building SectionsTo achieve optimal functionality, the Center‘s entrance is located on rue de Buzenval, at the heart of the building. The street level hospitality spaces are open primarily onto the exterior. The appearance of these spaces is intentionally neutral so each visitor can create his/her own experience.In order to reconcile the image of the modern public amenities with that of an existing industrial building, this new edifice will integrate itself harmoniously into the neighborhood. Full of local residents, the Activity Center will bask in the sunlight of serenity and warmth.Architect: Olgga Architects Location: Paris, France Client: City of Paris Team: Cet Area: 1,718 sqm SHON Schedule: September 2010 Mission: Competition, ranked, 2nd Images: artefactorylab, Olivier Campagne#gallery-1 {margin: auto;}#gallery-1 .gallery-item {float: left;margin-top: 10px;text-align: center;width: 33%;}#gallery-1 img {border: 2px solid #cfcfcf;}#gallery-1 .gallery-caption {margin-left: 0;}
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© José Campos, arqf architectural photographyThis project takes advantage of the demolition of the existing building, which occupied the whole of the plot, to design a new Plaza, with a scale and dignity to receive the Law Courts. In dialogue with the granite walls that define its surroundings, the Plaza takes on the form of a bottling of stone, upon which the Law Courts rest.
Architect: Barbosa & Guimaraes Architects Location: Gouveia, Portugal Project Year: 2010 Photography: José Campos, arqf architectural photography
© José Campos, arqf architectural photographyThe building, set on four pillars, ensures transparency and connection between the two gardens that delimit it to the north and the south. The dignity and symbolism that a building like the Law Courts should always have is achieved at the cost of the monolithic and singular character that the volume of white concrete acquires, above all in the expression of its compact elevations, with empty spaces deeply excavated, as if suspended over the Plaza.
© José Campos, arqf architectural photographyA staircase of generous proportions opening onto a patio honours access to the Court floor. The lobby/foyer crosses longitudinally the entirety of the building, communicating directly with the garden to the north, establishing a relationship of closeness with the tops of the existing trees through a horizontal empty space.
© José Campos, arqf architectural photographyIn the volume, the courtroom stands out, with a set of vertical skylights that subtly light the whole space. The registrars services, which operate independently, are installed in the filled part of the building, open to an interior patio which communicates directly with the north garden. The project foresees a public car park, hidden under the plaza, with access from the adjacent streets.
© José Campos, arqf architectural photography
© José Campos, arqf architectural photography
© José Campos, arqf architectural photography
© José Campos, arqf architectural photography
© José Campos, arqf architectural photography
© José Campos, arqf architectural photography
© José Campos, arqf architectural photography
© José Campos, arqf architectural photographyProject Team: José António Barbosa, Pedro Lopes Guimarães, Miguel Pimenta, Cristina Chicau, Henrique Dias, José Marques, Luís Monteiro, Paula Fonseca, Susana Machado, Teresa Aroso, Raul Andrade, Pablo Rebelo Structure: Alberto Teixeira Hydraulics: Luis Veloso Electrical: Paulo Oliveira HVAC: Arnaldo Monteiro Construction: José Coutinho Director of Work: Rafael Luzio#gallery-1 {margin: auto;}#gallery-1 .gallery-item {float: left;margin-top: 10px;text-align: center;width: 33%;}#gallery-1 img {border: 2px solid #cfcfcf;}#gallery-1 .gallery-caption {margin-left: 0;}